Photographing my first accident scene

On the way home from shooting the Harry Potter book release, I noticed one of the roads was blocked off by flares. I immediately changed lanes and headed off in the general direction of where I was seeing lights from a police car. When I got to the scene, I found this vehicle surrounded by firemen. The police had blocked off the road and one man was handcuffed and sitting on the median. I thought the lighting in the bookstore was challenging, but that was nothing compared to shooting in the middle of the road at 11:30pm under an orange street light.
I was very hesitent to cross the street at first as I was afraid the firemen and police would tell me I had to leave. But, I could not get any shots from where I was standing as it was too far away. I noticed a pedestrian on the far side who was walking toward the accident, and no one was stopping him, so I decided to take a chance and move closer to the accident. I figured the worst that could happen was they would chase me off and maybe I could get a few shots before that happened. To my great surprise, no one said anything. In fact, I was largely ignored. Gradually I moved in ever closer until I was right on top of the scene. If they were gonna let me shoot, I decided to make the most of it and took as many photographs as I could think of.

I approached the firemen to see if anyone had been seriously injured and to try to guage the emotional level of the scene. They said everyone was pretty much OK, for which I was relieved. I don't know if I am ready to photograph a fatality yet (how one gets ready for that, I have no idea).

My photographic approach was pretty simple; try everything I could think of and pray some of them worked. The flash worked, but only up close. More than 10 feet away and the scene got to dark. Using the ambient light from the street light was the only way to capture the wider shots showing the firetruck. I liked the wider spots better because I felt they gave more perspective the situation. This required a slow shutter, however, and guess what I did not have with me...a tripod. So, what I did instead was lay flat on the ground and brace the camera on the curb. This allowed me to keep the camera steady enough to get the shots with just the streetlight.

After shooting the photographs, I had the presence of mind to approach the police and get as much information as I could. My thought was to get enough information to be able to present this as a news story to the local paper. I did call them and left a message, but I have not heard back from them. Once I got home I began processing the photographs, and even though they did not all turn out, I was quite pleased with a few of them. I converted this last one to black and white, and to me, it feels like accident photographs I have seen in the paper before.

I am never glad someone had an accident, but I am glad I was there to shoot this scene. I had one guy ask me which paper I worked for. Just looking like you know what you are doing counts for a lot in a situation like this. I plan to continue looking for opportunities to document these types of scenes as I encounter them.